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Triggerguard, Lancaster County , sand cast brass
An earlier wider triggerguard style, popularly used by makers in Lancaster County and similar schools of style. Notice the vestige thickened boss at the front of the bow, a common military feature, for mounting a sling swivel. Long bow for a double set trigger if desired. Overall length is 8-7/8", inside trigger bow is 2-3/8" long, and 7/8" deep.
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Triggerguard, Schuetzen Style , sand cast brass
A big Schuetzen style Swiss Federal triggerguard, this yellow sand casting is an ideal match to our Swiss Federal styled #BP-MA-80 buttplate. Notice the deep finger grooves to help steady the rifle for offhand shooting. Overall length is 8-15/16", inside trigger bow is 2-3/4" long, and 1-1/4" deep.
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Triggerguard, Allentown-Bethlehem, Lehigh County , sand cast brass
This triggerguard is an early design, used by the Rupp family and other gunmakers of the Allentown-Bethlehem, and Lehigh Valley. The sculptured, curved shape of this guard is apparently derived from earlier Germanic Jaeger hunting rifle triggerguard styles. Notice the thickened lug at the front of the bow to permit mounting a sling swivel, if desir
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Triggerguard, Lancaster County , sand cast brass
A later Lancaster County style triggerguard, suitable for a "golden age era" longrifle made during the 1790-1820 period. This guard is a copy of an original by Melchior Fordney, a famous Lancaster maker whose rifles are distinctive for their wrists decorated with a flat checkered patter. Overall length is 8-1/2", inside trigger bow is 2-3/8" long,
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Triggerguard Schuetzen Rifle , wax cast brass
This elegant Schuetzen triggerguard combines graceful "C" and "S" scrolls into a large guard with a big open bow. Reflecting a rococo theme, you may elect to carve a scroll pattern behind the cheek piece. You can join the ranks of palm rest target shooters. Build your own personal rifle. Call on us to supply the parts. Double set triggers were stan
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Triggerguard, Southern Mountain Style , wax cast brass
This style of Southern Mountain triggerguard is often decorated with a engraved 'V' pattern at the rear junction of the grip rail and bow. Patterned from a antique example the triggerguard is shaped with a long tapered rear finial and curl at the end of the grip rail, common features with those found in Tennessee, the Carolinas, and the Virginia's.
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Triggerguard, Virginia Style , wax cast brass
Our Virginia triggerguard is our slimmest Tennessee guard. Elegant, with a large bow to accommodate nearly any double set trigger we offer. Overall length is 11", inside trigger bow is 2-1/2" long, and 1" deep.
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Triggerguard, Late Ohio Style , wax cast brass
A typical late Ohio longrifle style, this triggerguard has a comfortable grip rail, large bow for double set triggers, and the forward finger spur. This triggerguard works well with our pre-inlet Vincent half-stock. Overall length is 7-3/4", inside trigger bow is 2-1/2" long, and 7/8" deep.
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Triggerguard, Vincent Rifle , wax cast brass
Copied from an original Caleb Vincent half-stock rifle, this triggerguard has a comfortable grip rail, large bow for double set triggers, and the finger spur typically found on late Ohio longrifle hardware. We recommend this triggerguard for use with our pre-inlet Vincent half-stock. Overall length is 8-3/8", inside trigger bow is 2-9/16" long, and
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Tinder Tube , solid brass tubing, with 10" cotton tinder cord
Tinder tubes have been used for centuries as a fire starting tool. Before first use, ignite the frayed end of the cord with a flame, then slowly pull the burning end into the tube until extinguished. The charred surface of the burned end becomes very flammable, easily ignited by a spark. Store the charred end well inside the tube, until next use.
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J.P. Beck Toeplate , brass
John Phillip Beck style toeplate, from the Lebanon County school of gunsmithing, circa 1765 to 1810. Toeplate width at widest point is 0.90"
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Nicholas Beyer Toeplate , brass
A Lebanon County style toeplate with unusual tulip finial, from the 1780 - 1840 era. Beyer's work is similar to the master J.P. Beck. Toeplate width at widest point is 0.90"
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W. Haga Toeplate , brass
Wolfgang Haga style toeplate, of Reading-Womelsdorf school of gunsmithing. Haga used a similar finial on his patchboxes. Toeplate width at widest point is 0.90"
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Fleur-de-Lis Toeplate , brass
A nice and simple designed toeplate, suited to longrifles. Resembles the work of Wolfgang Haga. Toeplate width at widest point is 0.88"
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Early Wide Toeplate , brass
Simple wide early toeplate with a bulb end. Easily reshaped to any desired finial. Suited for a wide buttplate. Toeplate width at widest point is 1.20"
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Peter Berry Toeplate , brass
Peter Berry style toeplate, from the school of Dauphin (Lebanon) County. Berry worked until 1795. His pieces are similar in design to those of Martin Shell and others. Toeplate width at widest point is 1.00"
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Toeplate , 5" long, brass
A typical plain toeplate, or you can cut and reshape this toeplate blank to any desired shape for your rifle project. About 5" overall length, including the semi-circular thumbnail finial. Toeplate width at widest point is 0.88"
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Rupp Style Toeplate , brass
A short, simple toeplate with a pointed finial sometimes used by the Rupp family, and on longrifles from the Allentown-Bethlehem, Lehigh school style. Toeplate width at widest point is 0.69"
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Toeplate, Tennessee style , brass
A simple toeplate with finger shaped finial is typical of those found on Tennessee and Southern Mountain rifles. Toeplate width at widest point is 0.75"
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York County Toeplate , brass
Frederick Zorger style toeplate of York County. A general style used by other members of the Zorger family. Toeplate width at widest point is 0.90"
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Build Track's John Armstrong , Maryland longrifle parts set, with 13/16", or 7/8" straight octagon barrel Price: starting at $1,124.25
Build Track's John Armstrong Maryland longrifle parts set, easy to assemble, up to 42" octagon barrel, traditional brass or iron trim, plain or fancy maple stock Many schools of style exist for Maryland longrifles. The Emmitsburg school turned out many fine rifles thanks to the skills of makers such as John Armstrong, Peter White, and George Nune
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